Young Mothers (2025)
by Jean-Pierre Dardenne and Luc Dardenne
SYNOPSIS:
In a shelter in Liège, Belgium, a group of young women face the challenges and exhilaration of motherhood. Looking ahead to an uncertain future, the new mothers aspire to break free of the past and not repeat the cycles of neglect, abuse, and abandonment that have defined their young lives. Jessica grew up in a foster family, and must understand why her biological mother could not keep her. Perla wrestles with the unreliability of her boyfriend, and confronts the possibility that she may need to raise her child alone. Julie has a more stable partner, but cannot imagine parenthood until she overcomes her drug habit once and for all. And Ariane must protect her baby at all costs, with the daunting recognition that her home may not be safe for her daughter. Winner of the Best Screenplay prize at Cannes, the latest film from master directors Jean-Pierre and Luc Dardenne (Rosetta; Two Days, One Night), Young Mothers is a delicate and hopeful study of women on the brink of new life.
Won Best Screenplay at Cannes Film Festival 2025
Original Title: Jeunes Mères
In French with English subtitles
Drama - 104’
WATCH THE TRAILER BELOW:
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Jean Pierre Dardenne was born in Engis on 21 April 1951 and Luc Dardenne in Awirs, 10 March 1954.
Jean Pierre studied the dramatic arts at the Institut des Arts de Diffusion (Institute of Broadcasting Arts) in Brussels where he was taught by the director and poet Armand Gatti, thanks to whom he, and his brother Luc, would begin directing their first films.
Luc, for his part, had studied philosophy and sociology. During the 1970s they would make a series of politically engaged documentary films before founding their own production company in 1975: “Dérives”. Some years later, in 1994, they would found their film company: “Les Films du Fleuve”. They made their first full-length film, “Falsch”, in 1987; it was an adaptation of a theatre play concerning the last surviving member of a Jewish family exterminated by the Nazis. The film would mark a major turning point in their career as their first fictional work.
In 1992 they directed “Je pense à vous”, but would have to wait until 1996 before receiving wider recognition at the ‘Directors Fortnight’ in Cannes with “La Promesse” (The Promise). They received their first Palme d’Or at the Cannes Film Festival for “Rosetta” in 1999. Three years later Olivier Gourmet received the Festival’s Best Actor award for his role in “Le Fils” (The Son). In 2005 the brothers received another Palme d’Or for “L’Enfant” (The Child), thus joining the very exclusive club of filmmakers to have won the Palme d’Or on two occasions. Furthermore at Cannes, they would also receive the 2008 Best Screenplay award for “Le Silence de Lorna” (Lorna’s Silence)”, a drama about clandestine immigrants; and the 2011 Grand Prix award for “Le Gamin au Vélo” (Kid With a Bike).
After this they went on to make “Deux jours, une nuit” (Two Days, One Night) with the actress Marion Cotillard and “La Fille inconnue” (The Unknown Girl) with Adèle Haenel. In 2019 they received the Cannes Film Festival’s Best Director award for “Le Jeune Ahmed” (Young Ahmed), a film about the destiny of a teenager embracing Islamic extremism. In 2022, they were awarded the prize of the 75th Cannes Film Festival for their film “Tori et Lokita” (Tori and Lokita), which tells the story of the friendship between two young migrants who came alone in Europe from Africa.
This event is made possible by the Consulate General of the Kingdom of Belgium in Atlanta and Wallonie-Bruxelles International
